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La vidéo d’une durée de 00:09:18 secondes, intitulée Canon C200 RIG: Shape CAGE – Part 2, créée par [vid_author_name], est accompagnée de la description suivante :« Examiner et analyser le kit de cage de forme. Un système de cage modulaire pour une caméra de cinéma numérique peut permettre plusieurs cas d’utilisation et vous faire gagner du temps lors de la prise de vue. ════════════════════════════════ ★ Dans cette vidéo ★ Cage de forme: http://amzn.to/2cos0ju Kit: http://amzn.to/2cpqitw Arm court: http://amzn.to/2owxmeb long Arm: http://amzn.to/2eydefq Rails version: http://amzn ════════════════════════════════ ★ Outils de cinéma en moteur Crimson ★ Cours de formation et luts: https://tools.crimsonengine.com ════════════════════════════════ ★ Configuration actuelle de tournage de Rubidium ★ Caméra principale: https://geni.us/Chrleao B-Cam: https://geni.us/fagbee acam Lens: https:/geli.us/fagbee acam Lens: https:/geli.us/fagbee acam Lens: https:/geli.us/fagbee acam Lens: https:/geli. https://geni.us/k1tekpz Vidéo sans fil: https://geni.us/Sutjt Wireless Monitor: https://geni.us/dzhhm trépied: https://geni.us/t8mz57y Clean Light: https://geni.us/c222sbzn light: https://geni.us/c222sbzn light: https://geni.us/c222SBZn Light: https://geni.us/c222sbzn https://geni.us/kqec7i Computer: https://geni.us/ltveuko RAM: https://geni.us/agyukge Storage pour les jours: https://geni.us/hfxk tout le monde: https://kit.co/crimsonennengine ════════════════════════════════ ════════════════════════════════ ★ Connectez-vous http://tiny.cc/crimsonenginesubscribe Insta: https://www.instagram.com/crimson_engine FB: https://www.facebook.com/crimsonengine Web: https://crimsonengine.com ════════════════════════════════ ⒸⓇⒾⓈⓄⓃ ⒺⓃⒼⒾⓃⒺ ».
Youtube est une plateforme populaire où les utilisateurs peuvent partager et explorer une multitude de contenus vidéo, allant des idées créatives aux perspectives uniques.
Rationalisation des ressources et gain de temps
Il est plus économique de réaliser un tournage en drone que d’effectuer des prises de vue par hélicoptère. La flexibilité du tournage et la rapidité d’installation contribuent à une intervention efficace, même en zones urbaines.
Conformité et Réglementation : Examiner les Règles du Vol
Une qualité d’image sublime avec des perspectives inédites
Avec les drones, on peut réaliser une captation en 4K, 6K, 8K pour bénéficier d’une qualité d’image exceptionnelle. Ils permettent aussi de réaliser des plans dynamiques, comme des travellings aériens, des plongées impressionnantes et des poursuites fluides.
Les Atouts d’un Tournage en Drone ?
Les tournages en drone offrent des images uniques, à un prix réduit, tout en respectant les normes de sécurité. Envie d’une prise de vue vidéo aérienne de qualité ? Faites appel à nous pour une expertise adaptée et des images époustouflantes.
Avantages du Vol de Drone pour les Professionnels
Réflexion sur les techniques anciennes de photographie aérienne
Les relevés aériens, autrefois, nécessitaient des hélicoptères ou des grues, ce qui entraînait des coûts élevés et une logistique complexe. Il est désormais possible pour tous les réalisateurs d’accéder à ces prises de vue grâce aux drones.
Tournage en Drone : Les Perspectives Innovantes de la Vidéo
La production audiovisuelle est enrichie par le tournage en drone, qui offre des prises de vue aériennes spectaculaires, jadis réservées aux productions à gros budget. Connaître la réglementation en vigueur et choisir le bon équipement est crucial pour réaliser une prise de vue vidéo aérienne légale et sécurisée.
Stratégies à adopter pour sécuriser les opérations aériennes
Maintenir une distance de sécurité avec le public et les infrastructures est crucial. Il est fondamental de s’assurer des conditions météorologiques pour éviter les turbulences et les vents forts, d’utiliser un drone sécurisé équipé de capteurs d’obstacles et d’un parachute de secours, et de suivre une formation au pilotage professionnel pour minimiser les risques d’accident.
La compétence et le choix d’un équipement approprié sont cruciaux
La qualité de la production dépend fortement du choix du drone. Avec sa stabilisation cinématographique, le DJI Inspire 3 est parfait pour filmer en 8K, alors que le Mavic 3 Pro est un choix compact et efficace pour les créateurs indépendants. Pour capturer des scènes immersives et dynamiques, comme les courses ou les poursuites, le drone FPV est tout simplement idéal.
Directives fondamentales pour un shooting réussi
Pour un bon déroulement, il est important de définir le projet en fonction des types de prises de vue, de sélectionner un drone approprié tel que le DJI Inspire, le Mavic 3 Pro ou un FPV, et d’obtenir les autorisations nécessaires selon l’emplacement. Des tests de vol doivent être effectués avant le tournage afin d’ajuster les angles et la lumière, en particulier lors d’un événement où une seconde prise ne serait pas envisageable. Enfin, il est essentiel d’inclure la post-production pour l’étalonnage, le montage et la stabilisation des images.
Élaboration et Mise en Œuvre d’un Projet de Tournage Vidéo Aérien avec Drone
Changements dans l’utilisation des drones dans le domaine audiovisuel
Les drones modernes, avec leurs caméras haute définition (4K, 8K), leurs stabilisateurs avancés et leur précision de vol exceptionnelle, permettent de réaliser des prises de vue cinématographiques captivantes.
Clarification des permissions nécessaires pour le tournage
Les prises de vue vidéo aériennes avec un drone en France et en Europe nécessitent des autorisations spécifiques. S’assurer des zones de vol autorisées via Géoportail est crucial, tout comme déclarer son vol à la DGAC et respecter les scénarios de vol européens définis par la réglementation en vigueur.
Que faut-il savoir avant de réaliser une prise de vue aérienne avec un drone ? Un expert du secteur partage son analyse sur cet article détaillé .
Voici le lien pour voir la vidéo sur Youtube :
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#Canon #C200 #RIG #Shape #CAGE #Part
Retranscription des paroles de la vidéo: hey what is up my name is rubidium went back with another reading this c200 with the shape accessories this is pot to today we’re gonna take the basic camera can handle and put a turn it into a shoulder-mounted rig the good thing and the bad thing about modular camera accessories is that there are infinite ways to put them together which can be great if you’re trying to fit a certain need but it can also take a long time to kind of work out what it is you want to do and how you want to do it so that this episode I’m going to put the put the camera on a shoulder mount with 50 ml rails both front and back and then add accessories from there so the first thing I want to do is take off the handle because I’m gonna invert it and then that before I attach it to the tri plate supposedly there was a seat 200 for sale that someone had accidentally used two long screws and when that attached the top plate they had actually screwed it right through the casing of the camera so there was a discounted c300 on sale here in LA because someone had used the screws the wrong screws for the wrong accessory used the screws that come with the accessory you’ll save yourself a lot of grief this might be time to mention that there there is another type of handle attachment style that’s become popular called a NATO rail which comes from which comes from guns and it’s sort of a little pinching system that that clips on to a rail at the front of the camera so you can take a camera the plate off and on while securely I I think it’s great for smaller cameras or something that you’re just doing yourself it means that you could potentially have something loose pick up the camera and have the handle come off halfway through carrying it which makes me really nervous I would rather use his power and keep screws or hex bolts knowing that the handle is tight and fixed and can’t move and just take the extra time to move it when I do need it rather than having it fail in a bad way so this is the next piece of the puzzle which is a shoulder mount that fits into the tripod mount those of you have been watching my videos for a while know that I had a system at a version of this a little while ago the issue was that it sat up very high on the shoulder and so it was very choppy and it tended to tip shape solve this by rather having one one set of rails they go all the way through having rails at the front res at the back and then the shoulder pad in the middle so that you can get the center of gravity of the camera lower have a more stable rig so a camera still protected by the camera cage so we’re going to screw the we’re going to screw the first part into the camera cage so balances always the trick with this sort of system because you don’t want to attach the camera too far forward it’ll fall forward on your shoulder you want to have too far back you’ll be out of you’ll have the opposite problem and the advantage of this plate is that it has a sliding system whereby you can loosen two or three screws I should have mentioned it’s not a static thing as you use different accessories like a matte box for a full of focus or can’t even change the size of the lens from a small prime to a large zoom you’re going to shift the weight of the camera and it’s a great idea to have something that can slide back and forth on the plate itself to adjust to adjust bounce you so the next piece now that we’ve got the monitor attached the next piece of the puzzle is going to be the shoulder mount and the hand grips we’re gonna put on our battery plate onto these rear 15 millimeter rods touch our battery this this particular plate suits the c300 Mach 2 and the C 200 which both work on the pace and power system and the the plate itself has DTaP boxes so now that we’ve got this here we need to get our rosettes on and something I do like about the shape system is it’s a giant version of the push button maneuver so you have your large buttons that push and let you adjust the angle it also means that reading on a table is much easier because you can rig it flat and then put it on your shoulder final piece of the puzzle is the padding so you don’t have to put your shoulder on the screws and it just attaches with Velcro up underneath so now put the camera on my shoulder swing the arms down to where I want them to be adjust them just the length of these well I started the camera on my shoulder and then you know just swing the screen in but with the extendable handle he decide the camera and the weight of the body haven’t added the lens yet but it’s on my shoulder it sits there comfortably I can hold it with one finger there’s none of this top rocking effect the monitor isn’t too close to my face I can I’ve still got my rails to put on to add any other accessories I need so the other huge advantage of this system over the previous one is that the shoulder the shoulder map locks to a tripod plate it’s a pretty long tripod plate I believe it’s originally a Sony sort of system but reach over grab it you find the area at the start and then it slides forward and the whole unit is now locked on a tripod I don’t have to put the camera down on the ground if I have shots that a tripod based to take the arms off whew shoot a few of these the camera still all connected and I can work from a stable basis and then when I’m ready to get a shoulder shot again I simply release the quick-release pull it out slightly camera back camera goes back on my shoulder I can keep shooting and my second pivot point up here that I’ve kept once I inverted the handle so that the focus puller can have his own monitor or a director can have a second monitor or you can add a second recorder off the of the quick release system the push button extensions push button rotations on the handles are great it also has this little second crank blur to both twist and extend the handles for length it is on the pricier side it’s not as cheap as some other kind of Franken rigs that I’ve used before but the advantage is that it all fits together it works together it all has a unanimous design and you know pretty much any other camera guy should be able to work with this know how it works just pretty easily or quickly if you have multiple operators and again the idea that it’s just so balanced on your shoulder that the monitors right where you need it the same as before you do need to wear headphones when you operate the c200 on this rig because the exhaust port of the fan is like right where your ear is it’s pretty sweet system if you’ve got seven eight nine ten thousand dollars worth of camera gear riding on her shoulder to say nothing of you know the lens all the value of the footage of shooting you it makes sense to have it in such a configuration that protects it that’s the shape c200 system next time we’re going to look at the follow focus and the matte box [Music] .
Déroulement de la vidéo:
0.06 hey what is up my name is rubidium went
0.06 back with another reading this c200 with
0.06 the shape accessories
0.06 this is pot to today we&;re gonna take
0.06 the basic camera can handle and put a
0.06 turn it into a shoulder-mounted
0.06 rig the good thing and the bad thing
0.06 about modular camera accessories is that
0.06 there are infinite ways to put them
0.06 together which can be great if you&;re
0.06 trying to fit a certain need but it can
0.06 also take a long time to kind of work
0.06 out what it is you want to do and how
0.06 you want to do it
0.06 so that this episode I&;m going to put
0.06 the put the camera on a shoulder mount
0.06 with 50 ml rails both front and back and
0.06 then add accessories from there so the
0.06 first thing I want to do is take off the
0.06 handle because I&;m gonna invert it and
0.06 then that before I attach it to the tri
0.06 plate supposedly there was a seat 200
0.06 for sale that someone had accidentally
0.06 used two long screws and when that
0.06 attached the top plate they had actually
0.06 screwed it right through the casing of
0.06 the camera so there was a discounted
0.06 c300 on sale here in LA because someone
0.06 had used the screws the wrong screws for
0.06 the wrong accessory used the screws that
0.06 come with the accessory you&;ll save
0.06 yourself a lot of grief this might be
0.06 time to mention that there there is
0.06 another type of handle attachment style
0.06 that&;s become popular called a NATO rail
0.06 which comes from which comes from guns
0.06 and it&;s sort of a little pinching
0.06 system that that clips on to a rail at
0.06 the front of the camera so you can take
0.06 a camera the plate off and on while
0.06 securely I I think it&;s great for
0.06 smaller cameras or something that you&;re
0.06 just doing yourself
0.06 it means that you could potentially have
0.06 something loose pick up the camera and
0.06 have the handle come off halfway through
0.06 carrying it which makes me really
0.06 nervous I would rather use his power and
0.06 keep screws or hex bolts knowing that
0.06 the handle is tight and fixed and can&;t
0.06 move and just take the extra time to
0.06 move it when I do need it rather than
0.06 having it fail in a bad way so this is
0.06 the next piece of the puzzle which is a
0.06 shoulder mount that fits into the tripod
0.06 mount those of you have been watching my
0.06 videos for a while know that I had a
0.06 system at a version of this a little
0.06 while ago the issue was that it sat up
0.06 very high on the shoulder and so it was
0.06 very choppy and it tended to tip shape
0.06 solve this by rather having one one set
0.06 of rails they go all the way through
0.06 having rails at the front res at the
0.06 back and then the shoulder pad in the
0.06 middle so that you can get the center of
0.06 gravity of the camera lower have a more
0.06 stable rig so a camera still protected
0.06 by the camera cage so we&;re going to
0.06 screw the we&;re going to screw the first
0.06 part into the camera cage
0.06 so balances always the trick with this
0.06 sort of system because you don&;t want to
0.06 attach the camera too far forward it&;ll
0.06 fall forward on your shoulder you want
0.06 to have too far back you&;ll be out of
0.06 you&;ll have the opposite problem and the
0.06 advantage of this plate is that it has a
0.06 sliding system whereby you can loosen
0.06 two or three screws I should have
0.06 mentioned it&;s not a static thing as you
0.06 use different accessories like a matte
0.06 box for a full of focus or can&;t even
0.06 change the size of the lens from a small
0.06 prime to a large zoom you&;re going to
0.06 shift the weight of the camera and it&;s
0.06 a great idea to have something that can
0.06 slide back and forth on the plate itself
0.06 to adjust to adjust bounce
0.06 you
0.06 so the next piece now that we&;ve got the
0.06 monitor attached the next piece of the
0.06 puzzle is going to be the shoulder mount
0.06 and the hand grips we&;re gonna put on
0.06 our battery plate onto these rear 15
0.06 millimeter rods touch our battery this
0.06 this particular plate suits the c300
0.06 Mach 2 and the C 200 which both work on
0.06 the pace and power system and the the
0.06 plate itself has DTaP boxes so now that
0.06 we&;ve got this here we need to get our
0.06 rosettes on and something I do like
0.06 about the shape system is it&;s a giant
0.06 version of the push button maneuver so
0.06 you have your large buttons that push
0.06 and let you adjust the angle it also
0.06 means that reading on a table is much
0.06 easier because you can rig it flat and
0.06 then put it on your shoulder
0.06 final piece of the puzzle is the padding
0.06 so you don&;t have to put your shoulder
0.06 on the screws and it just attaches with
0.06 Velcro up underneath so now put the
0.06 camera on my shoulder swing the arms
0.06 down to where I want them to be adjust
0.06 them just the length of these well I
0.06 started the camera on my shoulder and
0.06 then you know just swing the screen in
0.06 but with the extendable handle he decide
0.06 the camera and the weight of the body
0.06 haven&;t added the lens yet but it&;s on
0.06 my shoulder it sits there comfortably I
0.06 can hold it with one finger
0.06 there&;s none of this top rocking effect
0.06 the monitor isn&;t too close to my face I
0.06 can I&;ve still got my rails to put on to
0.06 add any other accessories I need so the
0.06 other huge advantage of this system over
0.06 the previous one is that the shoulder
0.06 the shoulder map locks to a tripod plate
0.06 it&;s a pretty long tripod plate
0.06 I believe it&;s originally a Sony sort of
0.06 system but reach over grab it you find
0.06 the area at the start and then it slides
0.06 forward and the whole unit is now locked
0.06 on a tripod I don&;t have to put the
0.06 camera down on the ground if I have
0.06 shots that a tripod based to take the
0.06 arms off whew shoot a few of these the
0.06 camera still all connected and I can
0.06 work from a stable basis and then when
0.06 I&;m ready to get a shoulder shot again I
0.06 simply release the quick-release pull it
0.06 out slightly camera back camera goes
0.06 back on my shoulder I can keep shooting
0.06 and my second pivot point up here that
0.06 I&;ve kept once I inverted the handle so
0.06 that the focus puller can have his own
0.06 monitor or a director can have a second
0.06 monitor or you can add a second recorder
0.06 off the of the quick release system the
0.06 push button extensions push button
0.06 rotations on the handles are great it
0.06 also has this little second crank blur
0.06 to both twist and extend the handles for
0.06 length it is on the pricier side it&;s
0.06 not as cheap as some other kind of
0.06 Franken rigs that I&;ve used before but
0.06 the advantage is that it all fits
0.06 together it works together it all has a
0.06 unanimous design and you know pretty
0.06 much any other camera guy should be able
0.06 to work with this know how it works
0.06 just pretty easily or quickly if you
0.06 have multiple operators and again the
0.06 idea that it&;s just so balanced on your
0.06 shoulder that the monitors right where
0.06 you need it the same as before you do
0.06 need to wear headphones when you operate
0.06 the c200 on this rig because the exhaust
0.06 port of the fan is like right where your
0.06 ear is it&;s pretty sweet system if
0.06 you&;ve got seven eight nine ten thousand
0.06 dollars worth of camera gear riding on
0.06 her shoulder to say nothing of you know
0.06 the lens all the value of the footage of
0.06 shooting you it makes sense to have it
0.06 in such a configuration that protects it
0.06 that&;s the shape c200 system next time
0.06 we&;re going to look at the follow focus
0.06 and the matte box
0.06 [Music]
.
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